Penderecki, Kurtag, Schnittke, Weinberg / Ensemble Epomeo
Following their critically acclaimed debut recording of the complete string trios of Hans GĆ”l and Hans KrĆ”sa, which garnered a Gramophone Editorās Choice, Ensemble Epomeo turns to music by Eastern European and Russian composers written in the latter half of the 20th century. Each work bears a distinct personal compositional stamp, providing for captivating listening and enlightening contrasts: the Polish Pendereckiās dramatic and lyrical String Trio of 1990 ā 91, the Russian compositional giant Schnittkeās String Trio of 1985, the haunting Trio of the increasingly recognised and respected Weinberg from 1950, and the ever-enigmatic Hungarian KurtĆ”g, whose continuously evolving signs, games and messages represent a collection of highly individual miniatures.
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Penderecki, Kurtag, Schnittke, Weinberg / Ensemble Epomeo
Penderecki, Kurtag, Schnittke, Weinberg / Ensemble Epomeo
Following their critically acclaimed debut recording of the complete string trios of Hans GĆ”l and Hans KrĆ”sa, which garnered a Gramophone Editorās Choice, Ensemble Epomeo turns to music by Eastern European and Russian composers written in the latter half of the 20th century. Each work bears a distinct personal compositional stamp, providing for captivating listening and enlightening contrasts: the Polish Pendereckiās dramatic and lyrical String Trio of 1990 ā 91, the Russian compositional giant Schnittkeās String Trio of 1985, the haunting Trio of the increasingly recognised and respected Weinberg from 1950, and the ever-enigmatic Hungarian KurtĆ”g, whose continuously evolving signs, games and messages represent a collection of highly individual miniatures.
Product Information
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Shipping & Returns
Shipping & Returns
Description
Following their critically acclaimed debut recording of the complete string trios of Hans GĆ”l and Hans KrĆ”sa, which garnered a Gramophone Editorās Choice, Ensemble Epomeo turns to music by Eastern European and Russian composers written in the latter half of the 20th century. Each work bears a distinct personal compositional stamp, providing for captivating listening and enlightening contrasts: the Polish Pendereckiās dramatic and lyrical String Trio of 1990 ā 91, the Russian compositional giant Schnittkeās String Trio of 1985, the haunting Trio of the increasingly recognised and respected Weinberg from 1950, and the ever-enigmatic Hungarian KurtĆ”g, whose continuously evolving signs, games and messages represent a collection of highly individual miniatures.
