Daugherty: This Land Sings (Inspired by the Life and Times of Woody Guthrie)
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REVIEWS:
For the most part, Daugherty doesnât set Guthrieâs tunes at all, although This Land Is Your Land turns up in a couple of numbers. Instead, he writes words of his own and draws on texts from elsewhere in the progressive strain of thought, dating back to Mark Twain, that animated Guthrieâs production. It all adds up to something quite unlike anything anybody else has done before. Listeners are going to have their own reactions, but this is original stuff, ideally and flexibly performed.
â AllMusic Guide (James Manheim)
Michael Daugherty traveled around the dust bowl of the United States before commencing the work, savoring the backdrop to Guthrieâs life as a writer and performer. It has resulted in an overture and sixteen vocal and instrumental tracks, the words for the songs written mostly by Daugherty. They are funny; they question life and our existence; suffering and love, all expressed in a mix of classical, folk, and jazzy rhythms. It is certainly a different experience that takes the composer down a new road, particularly so in the early part of the score. The excellent punchy sound is ideal for the work. Do listen to it.
â David''s Review Corner (David Denton)
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Daugherty: This Land Sings (Inspired by the Life and Times of Woody Guthrie)
Daugherty: This Land Sings (Inspired by the Life and Times of Woody Guthrie)
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REVIEWS:
For the most part, Daugherty doesnât set Guthrieâs tunes at all, although This Land Is Your Land turns up in a couple of numbers. Instead, he writes words of his own and draws on texts from elsewhere in the progressive strain of thought, dating back to Mark Twain, that animated Guthrieâs production. It all adds up to something quite unlike anything anybody else has done before. Listeners are going to have their own reactions, but this is original stuff, ideally and flexibly performed.
â AllMusic Guide (James Manheim)
Michael Daugherty traveled around the dust bowl of the United States before commencing the work, savoring the backdrop to Guthrieâs life as a writer and performer. It has resulted in an overture and sixteen vocal and instrumental tracks, the words for the songs written mostly by Daugherty. They are funny; they question life and our existence; suffering and love, all expressed in a mix of classical, folk, and jazzy rhythms. It is certainly a different experience that takes the composer down a new road, particularly so in the early part of the score. The excellent punchy sound is ideal for the work. Do listen to it.
â David''s Review Corner (David Denton)
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REVIEWS:
For the most part, Daugherty doesnât set Guthrieâs tunes at all, although This Land Is Your Land turns up in a couple of numbers. Instead, he writes words of his own and draws on texts from elsewhere in the progressive strain of thought, dating back to Mark Twain, that animated Guthrieâs production. It all adds up to something quite unlike anything anybody else has done before. Listeners are going to have their own reactions, but this is original stuff, ideally and flexibly performed.
â AllMusic Guide (James Manheim)
Michael Daugherty traveled around the dust bowl of the United States before commencing the work, savoring the backdrop to Guthrieâs life as a writer and performer. It has resulted in an overture and sixteen vocal and instrumental tracks, the words for the songs written mostly by Daugherty. They are funny; they question life and our existence; suffering and love, all expressed in a mix of classical, folk, and jazzy rhythms. It is certainly a different experience that takes the composer down a new road, particularly so in the early part of the score. The excellent punchy sound is ideal for the work. Do listen to it.
â David''s Review Corner (David Denton)