Bach: Partitas BWV 825-830 / Nostrati
| âThere are countless reasons for loving Bachâs music. Certain musicians and music-lovers are fascinated by its complexity, its flawless craftmanship. Others treasure it for its emotional, spiritual significance with total absence of sentimentality. Others, still, are seduced by Bachâs appealing mixture of transparency and warmth.. When I learn that a composer of Bachâs stature published his impressive collection of partitas under the modest title ClavierĂŒbung (âExercise for Keyboardâ), and when I read his statement that musicâs only purpose should be âthe glory of God and the recreation of the human spiritâ, I see that he was manifestly excluding his own person â a gesture that stands in stark contrast with my own generationâs chronic hubris and boundless egocentricity.â (Schaghajegh Nosrati) |
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Bach: Partitas BWV 825-830 / Nostrati
Bach: Partitas BWV 825-830 / Nostrati
| âThere are countless reasons for loving Bachâs music. Certain musicians and music-lovers are fascinated by its complexity, its flawless craftmanship. Others treasure it for its emotional, spiritual significance with total absence of sentimentality. Others, still, are seduced by Bachâs appealing mixture of transparency and warmth.. When I learn that a composer of Bachâs stature published his impressive collection of partitas under the modest title ClavierĂŒbung (âExercise for Keyboardâ), and when I read his statement that musicâs only purpose should be âthe glory of God and the recreation of the human spiritâ, I see that he was manifestly excluding his own person â a gesture that stands in stark contrast with my own generationâs chronic hubris and boundless egocentricity.â (Schaghajegh Nosrati) |
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| âThere are countless reasons for loving Bachâs music. Certain musicians and music-lovers are fascinated by its complexity, its flawless craftmanship. Others treasure it for its emotional, spiritual significance with total absence of sentimentality. Others, still, are seduced by Bachâs appealing mixture of transparency and warmth.. When I learn that a composer of Bachâs stature published his impressive collection of partitas under the modest title ClavierĂŒbung (âExercise for Keyboardâ), and when I read his statement that musicâs only purpose should be âthe glory of God and the recreation of the human spiritâ, I see that he was manifestly excluding his own person â a gesture that stands in stark contrast with my own generationâs chronic hubris and boundless egocentricity.â (Schaghajegh Nosrati) |