Uccellini: Sonatas from Opp. 3-5 on an Amati Violin (1572) / Gricmanis, Noxwode
The young violinist Conor Gricmanis and his early music ensemble Noxwode, have recorded rare and beautiful violin sonatas by the early Italian Baroque composer Marco Uccellini for FHR. His sonatas for violin and continuo contributed to the development of an idiomatic style of writing for the violin (including virtuosic runs, leaps, and forays into high positions), expanding the instrumentās technical capabilities and expressive range. This stylus fantasticus genre is evident in this recording, providing ample opportunities for the soloists and ensemble to personalize their interpretations. On this recording, Gricmanis plays what is believed to be the oldest fully playable violin in the world, a 450 year old Andrea Amati made in 1572.
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Uccellini: Sonatas from Opp. 3-5 on an Amati Violin (1572) / Gricmanis, Noxwode
Uccellini: Sonatas from Opp. 3-5 on an Amati Violin (1572) / Gricmanis, Noxwode
The young violinist Conor Gricmanis and his early music ensemble Noxwode, have recorded rare and beautiful violin sonatas by the early Italian Baroque composer Marco Uccellini for FHR. His sonatas for violin and continuo contributed to the development of an idiomatic style of writing for the violin (including virtuosic runs, leaps, and forays into high positions), expanding the instrumentās technical capabilities and expressive range. This stylus fantasticus genre is evident in this recording, providing ample opportunities for the soloists and ensemble to personalize their interpretations. On this recording, Gricmanis plays what is believed to be the oldest fully playable violin in the world, a 450 year old Andrea Amati made in 1572.
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Description
The young violinist Conor Gricmanis and his early music ensemble Noxwode, have recorded rare and beautiful violin sonatas by the early Italian Baroque composer Marco Uccellini for FHR. His sonatas for violin and continuo contributed to the development of an idiomatic style of writing for the violin (including virtuosic runs, leaps, and forays into high positions), expanding the instrumentās technical capabilities and expressive range. This stylus fantasticus genre is evident in this recording, providing ample opportunities for the soloists and ensemble to personalize their interpretations. On this recording, Gricmanis plays what is believed to be the oldest fully playable violin in the world, a 450 year old Andrea Amati made in 1572.
