Beethoven: Violin Sonatas, Vol. 1 (Nos. 1-4) / Zimmermann, Helmchen
Highly regarded as soloists as well as chamber musicians, Frank Peter Zimmermann and Martin Helmchen are also known for an unostentatious and selfless musicianship which never obscures the music they are performing. When they started their collaboration in 2018, it was with the aim of playing and recording Beethoven's 12 violin sonatas. A series of recitals at prestigious venues and festivals was followed by the first recording sessions, which took place in September 2019. Enjoy the results!
Frank Peter Zimmermann is widely regarded as one of the foremost violinists of his generation. Martin Helmchen has established himself as one of the most prominent pianists of the younger generation.Ā
REVIEWS:
How elegantly unforced these works come over today. Zimmermannās sound is light, flexible, and finely shaded, with Martin Helmchen delivering effortless virtuosity. The opening of the First Sonata brings an unleashing of exuberant energy, while the opening of the Second is the epitome of mercurial high spirits. These recordings are conversations by a perfect instrumental pairing.
ā BBC Music Magazine
Theyāre never afraid to express themselves poetically or to linger over an expressive moment. Yet thereās a briskness and momentum about all four performances. These performances wed classical verve to a profoundly Romantic spirit, and I suspect that Beethoven would have rather enjoyed the result.
ā Gramophone
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Beethoven: Violin Sonatas, Vol. 1 (Nos. 1-4) / Zimmermann, Helmchen
Beethoven: Violin Sonatas, Vol. 1 (Nos. 1-4) / Zimmermann, Helmchen
Highly regarded as soloists as well as chamber musicians, Frank Peter Zimmermann and Martin Helmchen are also known for an unostentatious and selfless musicianship which never obscures the music they are performing. When they started their collaboration in 2018, it was with the aim of playing and recording Beethoven's 12 violin sonatas. A series of recitals at prestigious venues and festivals was followed by the first recording sessions, which took place in September 2019. Enjoy the results!
Frank Peter Zimmermann is widely regarded as one of the foremost violinists of his generation. Martin Helmchen has established himself as one of the most prominent pianists of the younger generation.Ā
REVIEWS:
How elegantly unforced these works come over today. Zimmermannās sound is light, flexible, and finely shaded, with Martin Helmchen delivering effortless virtuosity. The opening of the First Sonata brings an unleashing of exuberant energy, while the opening of the Second is the epitome of mercurial high spirits. These recordings are conversations by a perfect instrumental pairing.
ā BBC Music Magazine
Theyāre never afraid to express themselves poetically or to linger over an expressive moment. Yet thereās a briskness and momentum about all four performances. These performances wed classical verve to a profoundly Romantic spirit, and I suspect that Beethoven would have rather enjoyed the result.
ā Gramophone
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Highly regarded as soloists as well as chamber musicians, Frank Peter Zimmermann and Martin Helmchen are also known for an unostentatious and selfless musicianship which never obscures the music they are performing. When they started their collaboration in 2018, it was with the aim of playing and recording Beethoven's 12 violin sonatas. A series of recitals at prestigious venues and festivals was followed by the first recording sessions, which took place in September 2019. Enjoy the results!
Frank Peter Zimmermann is widely regarded as one of the foremost violinists of his generation. Martin Helmchen has established himself as one of the most prominent pianists of the younger generation.Ā
REVIEWS:
How elegantly unforced these works come over today. Zimmermannās sound is light, flexible, and finely shaded, with Martin Helmchen delivering effortless virtuosity. The opening of the First Sonata brings an unleashing of exuberant energy, while the opening of the Second is the epitome of mercurial high spirits. These recordings are conversations by a perfect instrumental pairing.
ā BBC Music Magazine
Theyāre never afraid to express themselves poetically or to linger over an expressive moment. Yet thereās a briskness and momentum about all four performances. These performances wed classical verve to a profoundly Romantic spirit, and I suspect that Beethoven would have rather enjoyed the result.
ā Gramophone
