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Tchaikovsky: Symphony No. 4 - Leshnoff: Double Concerto / Honeck, Pittsburgh Symphony
Reference Recordings proudly presents Tchaikovsky’s Symphony No. 4 in an exquisite interpretation from Manfred Honeck and the Pittsburgh Symphony Orchestra. It is coupled with a World Premiere recording of leading American composer Jonathan Leshnoff’s "Double Concerto for Clarinet and Bassoon", featuring the extraordinary talents of the Pittsburgh Symphony’s own Principal Clarinet Michael Rusinek and Principal Bassoon Nancy Goeres. This album was recorded in beautiful and historic Heinz Hall, home of the Pittsburgh Symphony Orchestra, in superb audiophile sound. Maestro Honeck honors us again with his meticulous music notes, in which he gives us great insight into his interpretation as well as the history and musical structure of Tchaikovsky’s great Symphony No. 4. This release is the tenth in the highly acclaimed Pittsburgh Live! series of multi-channel hybrid SACD releases on the FRESH! imprint from Reference Recordings. This series has received GRAMMY® Nominations in 2015, 2016, 2018, 2019 and 2020. Its recording of Shostakovich’s Symphony No.5 /Barber Adagio for Strings won the 2018 GRAMMY® Awards for Best Orchestral Performance and Best Engineered Classical Album.
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REVIEW:
The Symphony No. 4 has rarely received such an intense performance. There is a feeling of urgency, amplified by slight changes to the score that Honeck details in his expansive liner notes and by a general high-contrast approach to dynamics. Listeners will have to make their own decisions about these, but it's quite arguable that Honeck does nothing that a conductor of the late 19th or early 20th century might have also considered. The Pittsburgh Symphony is in fine form in the symphony's thrilling brass passages and in the all-pizzicato strings of the third movement. The accompanying Double Concerto for clarinet and bassoon by Leshnoff is also a pleasure.
– All Music Guide (James Manheim)
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REVIEW:
The Symphony No. 4 has rarely received such an intense performance. There is a feeling of urgency, amplified by slight changes to the score that Honeck details in his expansive liner notes and by a general high-contrast approach to dynamics. Listeners will have to make their own decisions about these, but it's quite arguable that Honeck does nothing that a conductor of the late 19th or early 20th century might have also considered. The Pittsburgh Symphony is in fine form in the symphony's thrilling brass passages and in the all-pizzicato strings of the third movement. The accompanying Double Concerto for clarinet and bassoon by Leshnoff is also a pleasure.
– All Music Guide (James Manheim)
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Tchaikovsky: Symphony No. 4 - Leshnoff: Double Concerto / Honeck, Pittsburgh Symphony
Tchaikovsky: Symphony No. 4 - Leshnoff: Double Concerto / Honeck, Pittsburgh Symphony
Reference Recordings proudly presents Tchaikovsky’s Symphony No. 4 in an exquisite interpretation from Manfred Honeck and the Pittsburgh Symphony Orchestra. It is coupled with a World Premiere recording of leading American composer Jonathan Leshnoff’s "Double Concerto for Clarinet and Bassoon", featuring the extraordinary talents of the Pittsburgh Symphony’s own Principal Clarinet Michael Rusinek and Principal Bassoon Nancy Goeres. This album was recorded in beautiful and historic Heinz Hall, home of the Pittsburgh Symphony Orchestra, in superb audiophile sound. Maestro Honeck honors us again with his meticulous music notes, in which he gives us great insight into his interpretation as well as the history and musical structure of Tchaikovsky’s great Symphony No. 4. This release is the tenth in the highly acclaimed Pittsburgh Live! series of multi-channel hybrid SACD releases on the FRESH! imprint from Reference Recordings. This series has received GRAMMY® Nominations in 2015, 2016, 2018, 2019 and 2020. Its recording of Shostakovich’s Symphony No.5 /Barber Adagio for Strings won the 2018 GRAMMY® Awards for Best Orchestral Performance and Best Engineered Classical Album.
-----
REVIEW:
The Symphony No. 4 has rarely received such an intense performance. There is a feeling of urgency, amplified by slight changes to the score that Honeck details in his expansive liner notes and by a general high-contrast approach to dynamics. Listeners will have to make their own decisions about these, but it's quite arguable that Honeck does nothing that a conductor of the late 19th or early 20th century might have also considered. The Pittsburgh Symphony is in fine form in the symphony's thrilling brass passages and in the all-pizzicato strings of the third movement. The accompanying Double Concerto for clarinet and bassoon by Leshnoff is also a pleasure.
– All Music Guide (James Manheim)
-----
REVIEW:
The Symphony No. 4 has rarely received such an intense performance. There is a feeling of urgency, amplified by slight changes to the score that Honeck details in his expansive liner notes and by a general high-contrast approach to dynamics. Listeners will have to make their own decisions about these, but it's quite arguable that Honeck does nothing that a conductor of the late 19th or early 20th century might have also considered. The Pittsburgh Symphony is in fine form in the symphony's thrilling brass passages and in the all-pizzicato strings of the third movement. The accompanying Double Concerto for clarinet and bassoon by Leshnoff is also a pleasure.
– All Music Guide (James Manheim)
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Description
Reference Recordings proudly presents Tchaikovsky’s Symphony No. 4 in an exquisite interpretation from Manfred Honeck and the Pittsburgh Symphony Orchestra. It is coupled with a World Premiere recording of leading American composer Jonathan Leshnoff’s "Double Concerto for Clarinet and Bassoon", featuring the extraordinary talents of the Pittsburgh Symphony’s own Principal Clarinet Michael Rusinek and Principal Bassoon Nancy Goeres. This album was recorded in beautiful and historic Heinz Hall, home of the Pittsburgh Symphony Orchestra, in superb audiophile sound. Maestro Honeck honors us again with his meticulous music notes, in which he gives us great insight into his interpretation as well as the history and musical structure of Tchaikovsky’s great Symphony No. 4. This release is the tenth in the highly acclaimed Pittsburgh Live! series of multi-channel hybrid SACD releases on the FRESH! imprint from Reference Recordings. This series has received GRAMMY® Nominations in 2015, 2016, 2018, 2019 and 2020. Its recording of Shostakovich’s Symphony No.5 /Barber Adagio for Strings won the 2018 GRAMMY® Awards for Best Orchestral Performance and Best Engineered Classical Album.
-----
REVIEW:
The Symphony No. 4 has rarely received such an intense performance. There is a feeling of urgency, amplified by slight changes to the score that Honeck details in his expansive liner notes and by a general high-contrast approach to dynamics. Listeners will have to make their own decisions about these, but it's quite arguable that Honeck does nothing that a conductor of the late 19th or early 20th century might have also considered. The Pittsburgh Symphony is in fine form in the symphony's thrilling brass passages and in the all-pizzicato strings of the third movement. The accompanying Double Concerto for clarinet and bassoon by Leshnoff is also a pleasure.
– All Music Guide (James Manheim)
-----
REVIEW:
The Symphony No. 4 has rarely received such an intense performance. There is a feeling of urgency, amplified by slight changes to the score that Honeck details in his expansive liner notes and by a general high-contrast approach to dynamics. Listeners will have to make their own decisions about these, but it's quite arguable that Honeck does nothing that a conductor of the late 19th or early 20th century might have also considered. The Pittsburgh Symphony is in fine form in the symphony's thrilling brass passages and in the all-pizzicato strings of the third movement. The accompanying Double Concerto for clarinet and bassoon by Leshnoff is also a pleasure.
– All Music Guide (James Manheim)
