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Szymanowski: Violin Concertos No 1 & 2, Nocturne and Tarantella / Kaler, Wit, Warsaw PO
Magic on a budget: Szymanowski's fantasy world is beautifully caught
Naxos offers an exceptionally clear recording of these three concertante works by Szymanowski, not just the two Violin Concertos but an orchestrated version of the Nocturne and Tarantella. Ilya Kaler, as on his other Naxos discs, gives pure, clear readings with flawless intonation and careful use of vibrato. Having a Polish conductor and orchestra as his accompanists adds to the idiomatic feel of each, with the magical orchestral sounds beautifully conjured up, particularly in No 1, the more radical of the two works.
Like Kaler, Thomas Zehetmair plays with flawlesss intonation in a wonderfully pure reading, using minimal vibrato. Kaler is a degree warmer with a shade more vibrato, and the Naxos recording brings out the fantasy of the composerās orchestration, particularly in No 1, with wonderful clarity. Lydia Mordkovitch is warmer still, playing with hushed intensity in the gentle passages and relishing the pure beauty of the passages of writing above the stave. In the more openly lyrical Second Concerto, Mordkovitch makes the Andantino deeply reflective at a very measured pace, while the others adopt more flowing speeds with lighter results.
Kaler then plays the relatively brief Nocturne and Tarantella just as sympathetically, with the Tarantella a flamboyant virtuoso vehicle making a splendid climax to an excellent disc. The point which trumps all competition inevitably is that the Naxos issue, beautifully and idiomatically played and brilliantly recorded, comes at such a reasonable price.
-- Edward Greenfield, Gramophone [7/2007]
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Szymanowski: Violin Concertos No 1 & 2, Nocturne and Tarantella / Kaler, Wit, Warsaw PO
Szymanowski: Violin Concertos No 1 & 2, Nocturne and Tarantella / Kaler, Wit, Warsaw PO
Magic on a budget: Szymanowski's fantasy world is beautifully caught
Naxos offers an exceptionally clear recording of these three concertante works by Szymanowski, not just the two Violin Concertos but an orchestrated version of the Nocturne and Tarantella. Ilya Kaler, as on his other Naxos discs, gives pure, clear readings with flawless intonation and careful use of vibrato. Having a Polish conductor and orchestra as his accompanists adds to the idiomatic feel of each, with the magical orchestral sounds beautifully conjured up, particularly in No 1, the more radical of the two works.
Like Kaler, Thomas Zehetmair plays with flawlesss intonation in a wonderfully pure reading, using minimal vibrato. Kaler is a degree warmer with a shade more vibrato, and the Naxos recording brings out the fantasy of the composerās orchestration, particularly in No 1, with wonderful clarity. Lydia Mordkovitch is warmer still, playing with hushed intensity in the gentle passages and relishing the pure beauty of the passages of writing above the stave. In the more openly lyrical Second Concerto, Mordkovitch makes the Andantino deeply reflective at a very measured pace, while the others adopt more flowing speeds with lighter results.
Kaler then plays the relatively brief Nocturne and Tarantella just as sympathetically, with the Tarantella a flamboyant virtuoso vehicle making a splendid climax to an excellent disc. The point which trumps all competition inevitably is that the Naxos issue, beautifully and idiomatically played and brilliantly recorded, comes at such a reasonable price.
-- Edward Greenfield, Gramophone [7/2007]
$7.00
Original: $19.99
-65%Szymanowski: Violin Concertos No 1 & 2, Nocturne and Tarantella / Kaler, Wit, Warsaw POā
$19.99
$7.00Product Information
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Description
Magic on a budget: Szymanowski's fantasy world is beautifully caught
Naxos offers an exceptionally clear recording of these three concertante works by Szymanowski, not just the two Violin Concertos but an orchestrated version of the Nocturne and Tarantella. Ilya Kaler, as on his other Naxos discs, gives pure, clear readings with flawless intonation and careful use of vibrato. Having a Polish conductor and orchestra as his accompanists adds to the idiomatic feel of each, with the magical orchestral sounds beautifully conjured up, particularly in No 1, the more radical of the two works.
Like Kaler, Thomas Zehetmair plays with flawlesss intonation in a wonderfully pure reading, using minimal vibrato. Kaler is a degree warmer with a shade more vibrato, and the Naxos recording brings out the fantasy of the composerās orchestration, particularly in No 1, with wonderful clarity. Lydia Mordkovitch is warmer still, playing with hushed intensity in the gentle passages and relishing the pure beauty of the passages of writing above the stave. In the more openly lyrical Second Concerto, Mordkovitch makes the Andantino deeply reflective at a very measured pace, while the others adopt more flowing speeds with lighter results.
Kaler then plays the relatively brief Nocturne and Tarantella just as sympathetically, with the Tarantella a flamboyant virtuoso vehicle making a splendid climax to an excellent disc. The point which trumps all competition inevitably is that the Naxos issue, beautifully and idiomatically played and brilliantly recorded, comes at such a reasonable price.
-- Edward Greenfield, Gramophone [7/2007]
