Sospiro - Alessandro Grandi: Complete Arias, 1626 / Roach
This is the premiĆØre recording of Alessandro Grandiās complete arias for solo voice from his third volume of 1626, performed here by tenor Bud Roach as they would have been commonly heard at the time of their publication: with the singer accompanying himself on the baroque guitar. A contemporary of Claudio Monteverdi, Grandi found his greatest success with cantatas and arias for solo voice. These secular songs were among the most popular in Venice throughout the third decade of the 17th century, and are considered to represent the apogee of the genre. Like many of the song collections published by Vincenti, this volume includes āalfabetoā notation for the strummed Spanish guitar. - Musica Omnia
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Sospiro - Alessandro Grandi: Complete Arias, 1626 / Roach
Sospiro - Alessandro Grandi: Complete Arias, 1626 / Roach
This is the premiĆØre recording of Alessandro Grandiās complete arias for solo voice from his third volume of 1626, performed here by tenor Bud Roach as they would have been commonly heard at the time of their publication: with the singer accompanying himself on the baroque guitar. A contemporary of Claudio Monteverdi, Grandi found his greatest success with cantatas and arias for solo voice. These secular songs were among the most popular in Venice throughout the third decade of the 17th century, and are considered to represent the apogee of the genre. Like many of the song collections published by Vincenti, this volume includes āalfabetoā notation for the strummed Spanish guitar. - Musica Omnia
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This is the premiĆØre recording of Alessandro Grandiās complete arias for solo voice from his third volume of 1626, performed here by tenor Bud Roach as they would have been commonly heard at the time of their publication: with the singer accompanying himself on the baroque guitar. A contemporary of Claudio Monteverdi, Grandi found his greatest success with cantatas and arias for solo voice. These secular songs were among the most popular in Venice throughout the third decade of the 17th century, and are considered to represent the apogee of the genre. Like many of the song collections published by Vincenti, this volume includes āalfabetoā notation for the strummed Spanish guitar. - Musica Omnia