Schutz: Schwanengesang / Rademann, Dresden Chamber Chorus
Heinrich Schütz composed his last work, a monumental setting of Psalm 119, in 1671 at the age of 86, complemented by a setting of Psalm 100, and a setting of the German Magnificat. This group of works, known as the “Schwanengesang”, or “swansong”, is a highly personal musical declaration, distinguished by its elegance and spiritual depth. As part of the Schütz Complete Recording, the Dresdner Kammerchor conducted by Hans-Christoph Rademann has again made a recording which sets new standards, presenting both the sung and the expressive elements of the composition in exemplary fashion. This recording of the fragmentary-surviving Schwanengesang is based on a new edition of the music by Werner Breig, published in November 2017 as part of the Stuttgart Schütz Edition. In many passages it suggests other approaches to reconstruction from the version published in 1984, and so approaches the Schwanengesang in a completely different way.
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Schutz: Schwanengesang / Rademann, Dresden Chamber Chorus
Schutz: Schwanengesang / Rademann, Dresden Chamber Chorus
Heinrich Schütz composed his last work, a monumental setting of Psalm 119, in 1671 at the age of 86, complemented by a setting of Psalm 100, and a setting of the German Magnificat. This group of works, known as the “Schwanengesang”, or “swansong”, is a highly personal musical declaration, distinguished by its elegance and spiritual depth. As part of the Schütz Complete Recording, the Dresdner Kammerchor conducted by Hans-Christoph Rademann has again made a recording which sets new standards, presenting both the sung and the expressive elements of the composition in exemplary fashion. This recording of the fragmentary-surviving Schwanengesang is based on a new edition of the music by Werner Breig, published in November 2017 as part of the Stuttgart Schütz Edition. In many passages it suggests other approaches to reconstruction from the version published in 1984, and so approaches the Schwanengesang in a completely different way.
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Description
Heinrich Schütz composed his last work, a monumental setting of Psalm 119, in 1671 at the age of 86, complemented by a setting of Psalm 100, and a setting of the German Magnificat. This group of works, known as the “Schwanengesang”, or “swansong”, is a highly personal musical declaration, distinguished by its elegance and spiritual depth. As part of the Schütz Complete Recording, the Dresdner Kammerchor conducted by Hans-Christoph Rademann has again made a recording which sets new standards, presenting both the sung and the expressive elements of the composition in exemplary fashion. This recording of the fragmentary-surviving Schwanengesang is based on a new edition of the music by Werner Breig, published in November 2017 as part of the Stuttgart Schütz Edition. In many passages it suggests other approaches to reconstruction from the version published in 1984, and so approaches the Schwanengesang in a completely different way.
