Kurt Masur approaches the symphonies easily and gracefully. He is capable of a gesture of proper grandeur, as at the opening to No. 1, but on the whole he treats them more lightly... The delightful Scherzo to No. 3, marked moderato, is played rather solemnly by Sawallisch, where Masur touches elegantly on its Leindler grace and its easy flow up and down the arpeggios. Opening No. 4, Sawallisch responds to the very Beethoven-like scoring with similar grandeur of utterance; Masur is quieter, seeking out the Romantic tinge in the bassoon and middle string phrases...

-- Gramophone [9/1976]
reviewing the original LP release