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Schumann: Symphonies Nos. 2 & 4; Genoveva Overture / Gardiner, London Symphony
Following their award-winning Mendelssohn cycle, Sir John Eliot Gardiner and the London Symphony Orchestra embark on a new journey through the symphonies of Robert Schumann.
Gardiner feels the Schumann symphonies are criticised unfairly and with these recordings he is on a mission to dispel the cobweb of myths around these symphonic masterpieces.
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REVIEW:
The LSO respond with elan to the bracing textures, confounding the clichĆ© that Schumann ācouldnāt orchestrateā. Gardiner chooses the 1841 version of the D minor work, No 4, which the LSO play as if discovering it anew.
ā Sunday Times (UK)
Gardiner feels the Schumann symphonies are criticised unfairly and with these recordings he is on a mission to dispel the cobweb of myths around these symphonic masterpieces.
-----
REVIEW:
The LSO respond with elan to the bracing textures, confounding the clichĆ© that Schumann ācouldnāt orchestrateā. Gardiner chooses the 1841 version of the D minor work, No 4, which the LSO play as if discovering it anew.
ā Sunday Times (UK)
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Schumann: Symphonies Nos. 2 & 4; Genoveva Overture / Gardiner, London Symphony
Schumann: Symphonies Nos. 2 & 4; Genoveva Overture / Gardiner, London Symphony
Following their award-winning Mendelssohn cycle, Sir John Eliot Gardiner and the London Symphony Orchestra embark on a new journey through the symphonies of Robert Schumann.
Gardiner feels the Schumann symphonies are criticised unfairly and with these recordings he is on a mission to dispel the cobweb of myths around these symphonic masterpieces.
-----
REVIEW:
The LSO respond with elan to the bracing textures, confounding the clichĆ© that Schumann ācouldnāt orchestrateā. Gardiner chooses the 1841 version of the D minor work, No 4, which the LSO play as if discovering it anew.
ā Sunday Times (UK)
Gardiner feels the Schumann symphonies are criticised unfairly and with these recordings he is on a mission to dispel the cobweb of myths around these symphonic masterpieces.
-----
REVIEW:
The LSO respond with elan to the bracing textures, confounding the clichĆ© that Schumann ācouldnāt orchestrateā. Gardiner chooses the 1841 version of the D minor work, No 4, which the LSO play as if discovering it anew.
ā Sunday Times (UK)
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-65%Schumann: Symphonies Nos. 2 & 4; Genoveva Overture / Gardiner, London Symphonyā
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Description
Following their award-winning Mendelssohn cycle, Sir John Eliot Gardiner and the London Symphony Orchestra embark on a new journey through the symphonies of Robert Schumann.
Gardiner feels the Schumann symphonies are criticised unfairly and with these recordings he is on a mission to dispel the cobweb of myths around these symphonic masterpieces.
-----
REVIEW:
The LSO respond with elan to the bracing textures, confounding the clichĆ© that Schumann ācouldnāt orchestrateā. Gardiner chooses the 1841 version of the D minor work, No 4, which the LSO play as if discovering it anew.
ā Sunday Times (UK)
Gardiner feels the Schumann symphonies are criticised unfairly and with these recordings he is on a mission to dispel the cobweb of myths around these symphonic masterpieces.
-----
REVIEW:
The LSO respond with elan to the bracing textures, confounding the clichĆ© that Schumann ācouldnāt orchestrateā. Gardiner chooses the 1841 version of the D minor work, No 4, which the LSO play as if discovering it anew.
ā Sunday Times (UK)
