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Schubert: 31 / Muller
On his new album ā31ā pianist Fabian Muller plays the late work of Franz Schubert- the piano sonatas no. 19-21 as well as Drei Klavierstucke D946. The idea behind this recording is to play the late works as a young person- in view of the fact that Schubert himself was a young man when he composed them. Muller plays the pieces lovingly, peaceful. Sad, but at the same time incredibly happy- and in his interpretations he likes to take liberties with the tempo and sometimes leaves out repetitions. āItās important to take the composer seriously, but itās also important not to overdo it. In the end, it often remains a mystery what the composer really wanted anyway. Thatās why I have great confidence in making my own decisions,ā Muller says.
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Schubert: 31 / Muller
Schubert: 31 / Muller
On his new album ā31ā pianist Fabian Muller plays the late work of Franz Schubert- the piano sonatas no. 19-21 as well as Drei Klavierstucke D946. The idea behind this recording is to play the late works as a young person- in view of the fact that Schubert himself was a young man when he composed them. Muller plays the pieces lovingly, peaceful. Sad, but at the same time incredibly happy- and in his interpretations he likes to take liberties with the tempo and sometimes leaves out repetitions. āItās important to take the composer seriously, but itās also important not to overdo it. In the end, it often remains a mystery what the composer really wanted anyway. Thatās why I have great confidence in making my own decisions,ā Muller says.
$22.99
Schubert: 31 / Mullerā
$22.99
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
On his new album ā31ā pianist Fabian Muller plays the late work of Franz Schubert- the piano sonatas no. 19-21 as well as Drei Klavierstucke D946. The idea behind this recording is to play the late works as a young person- in view of the fact that Schubert himself was a young man when he composed them. Muller plays the pieces lovingly, peaceful. Sad, but at the same time incredibly happy- and in his interpretations he likes to take liberties with the tempo and sometimes leaves out repetitions. āItās important to take the composer seriously, but itās also important not to overdo it. In the end, it often remains a mystery what the composer really wanted anyway. Thatās why I have great confidence in making my own decisions,ā Muller says.
