Sacred Choral Music / Vienna Boys' Choir
The Vienna Boysâ Choir is one of the oldest boysâ choirs in the world and still a living tradition after more than 500 years. Even Haydn sang there and Schubert also commenced his musical career there. Antonio Salieri was a member of the admissions jury. What is captivating about these recordings is, on the one hand, the clarity of the textual and musical declamation and, on the other, a very special authentic charm deriving from the slight Viennese accent. In the performance by the Vienna Boysâ Choir, it is a question not just of perfect pronunciation and intonation, but also of a sensual musical element that is frequently overlooked in Mozart and Haydn, but that is absolutely vital.
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Sacred Choral Music / Vienna Boys' Choir
Sacred Choral Music / Vienna Boys' Choir
The Vienna Boysâ Choir is one of the oldest boysâ choirs in the world and still a living tradition after more than 500 years. Even Haydn sang there and Schubert also commenced his musical career there. Antonio Salieri was a member of the admissions jury. What is captivating about these recordings is, on the one hand, the clarity of the textual and musical declamation and, on the other, a very special authentic charm deriving from the slight Viennese accent. In the performance by the Vienna Boysâ Choir, it is a question not just of perfect pronunciation and intonation, but also of a sensual musical element that is frequently overlooked in Mozart and Haydn, but that is absolutely vital.
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Description
The Vienna Boysâ Choir is one of the oldest boysâ choirs in the world and still a living tradition after more than 500 years. Even Haydn sang there and Schubert also commenced his musical career there. Antonio Salieri was a member of the admissions jury. What is captivating about these recordings is, on the one hand, the clarity of the textual and musical declamation and, on the other, a very special authentic charm deriving from the slight Viennese accent. In the performance by the Vienna Boysâ Choir, it is a question not just of perfect pronunciation and intonation, but also of a sensual musical element that is frequently overlooked in Mozart and Haydn, but that is absolutely vital.