Anna Prohaska asked Wolfgang Katschner and the Lautten Compagney at the outset of the coronavirus crisis whether they shouldn’t spontaneously organize a musical get-together in this period. This has now resulted in Redemption. This is a sequence of music selected solely from Bach cantatas, compiled in keeping with the aforenamed conceptual association. Redemption has multiple meanings, for instance: can music give us consolation in times of sickness and crisis; can it open up emotional and contemplative spaces for us; is it redemptive for us as musicians to be the “instruments” in engendering music and therefore spirituality? Besides Anna as soloist and three other singers, Redemption features a larger group of musicians – around twenty instrumentalists. These musicians serve a dual role: they expertly accompany the arias that Anna sings and they also represent the concept of human interaction and a shared collective experience which has been missing during these times.