Paisiello: Fedra / Correas, Catania Teatro Massimo Bellini Orchestra
In the bicentenary of Paisielloās death, Cataniaās Bellini Theatre staged Fedra, a world premiere performance in modern times of this opera by the composer from Taranto. It was a musical and cultural operation of great interest, which saw the revival ā based on the original manuscript and on various transcriptions ā of a rich, complex score, and attracted the attention of the Italian and international critics. The French conductor JĆ©rĆ“me Correas, an authority in this repertoire, was on the podium. Fedra had only been performed once in the 20th century for a radio recording and had never been staged in our century before. That single radio recording, however valuable, is however incomplete and, unlike this edition, unfaithful, in many ways, to the original score.
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Paisiello: Fedra / Correas, Catania Teatro Massimo Bellini Orchestra
Paisiello: Fedra / Correas, Catania Teatro Massimo Bellini Orchestra
In the bicentenary of Paisielloās death, Cataniaās Bellini Theatre staged Fedra, a world premiere performance in modern times of this opera by the composer from Taranto. It was a musical and cultural operation of great interest, which saw the revival ā based on the original manuscript and on various transcriptions ā of a rich, complex score, and attracted the attention of the Italian and international critics. The French conductor JĆ©rĆ“me Correas, an authority in this repertoire, was on the podium. Fedra had only been performed once in the 20th century for a radio recording and had never been staged in our century before. That single radio recording, however valuable, is however incomplete and, unlike this edition, unfaithful, in many ways, to the original score.
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In the bicentenary of Paisielloās death, Cataniaās Bellini Theatre staged Fedra, a world premiere performance in modern times of this opera by the composer from Taranto. It was a musical and cultural operation of great interest, which saw the revival ā based on the original manuscript and on various transcriptions ā of a rich, complex score, and attracted the attention of the Italian and international critics. The French conductor JĆ©rĆ“me Correas, an authority in this repertoire, was on the podium. Fedra had only been performed once in the 20th century for a radio recording and had never been staged in our century before. That single radio recording, however valuable, is however incomplete and, unlike this edition, unfaithful, in many ways, to the original score.