Liszt: Schubert Song Transcriptions / Avan Yu
Lisztās lavish filigree may sound a little overloaded by purist standards, yet he always treats the melodies with respect and intelligent registral deployment. Many young virtuosos plow through these transcriptions with little indication that they know the original songs. Avan Yu, however, brilliantly reconciles Schubertās melodic trajectory with Lisztās intricate textures.
In Winterreiseās Mut, for example, Yu differentiates the accompanimentās springing rhythms and the legato vocal line through touch and timbre, while Das Wirtshausā arpeggio waves maintain a discreet background, even at climaxes. In Schwanengesang Iām especially impressed by how Yu gives shape and meaning to Am Meerās tremolos, rather than rattling them off in the manner of a silent movie pianist. Likewise, Kriegers Ahnungās chromatic flourishes and double notes convey appropriate flair yet never overstep their supporting role.
It would have been nice if Lisztās six remaining transcriptions from these cycles had also been included, but one shouldnāt complain in light of Yuās highly appealing artistry. On the basis of the present release, plus a number of YouTube links that feature some excellent Debussy Etudes and a complete audio-only Liszt Sonata, Iād like to hear more of Avan Yu both on disc and in concert.
-- Jed Distler, ClassicsToday.com
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Liszt: Schubert Song Transcriptions / Avan Yu
Liszt: Schubert Song Transcriptions / Avan Yu
Lisztās lavish filigree may sound a little overloaded by purist standards, yet he always treats the melodies with respect and intelligent registral deployment. Many young virtuosos plow through these transcriptions with little indication that they know the original songs. Avan Yu, however, brilliantly reconciles Schubertās melodic trajectory with Lisztās intricate textures.
In Winterreiseās Mut, for example, Yu differentiates the accompanimentās springing rhythms and the legato vocal line through touch and timbre, while Das Wirtshausā arpeggio waves maintain a discreet background, even at climaxes. In Schwanengesang Iām especially impressed by how Yu gives shape and meaning to Am Meerās tremolos, rather than rattling them off in the manner of a silent movie pianist. Likewise, Kriegers Ahnungās chromatic flourishes and double notes convey appropriate flair yet never overstep their supporting role.
It would have been nice if Lisztās six remaining transcriptions from these cycles had also been included, but one shouldnāt complain in light of Yuās highly appealing artistry. On the basis of the present release, plus a number of YouTube links that feature some excellent Debussy Etudes and a complete audio-only Liszt Sonata, Iād like to hear more of Avan Yu both on disc and in concert.
-- Jed Distler, ClassicsToday.com
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Shipping & Returns
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Lisztās lavish filigree may sound a little overloaded by purist standards, yet he always treats the melodies with respect and intelligent registral deployment. Many young virtuosos plow through these transcriptions with little indication that they know the original songs. Avan Yu, however, brilliantly reconciles Schubertās melodic trajectory with Lisztās intricate textures.
In Winterreiseās Mut, for example, Yu differentiates the accompanimentās springing rhythms and the legato vocal line through touch and timbre, while Das Wirtshausā arpeggio waves maintain a discreet background, even at climaxes. In Schwanengesang Iām especially impressed by how Yu gives shape and meaning to Am Meerās tremolos, rather than rattling them off in the manner of a silent movie pianist. Likewise, Kriegers Ahnungās chromatic flourishes and double notes convey appropriate flair yet never overstep their supporting role.
It would have been nice if Lisztās six remaining transcriptions from these cycles had also been included, but one shouldnāt complain in light of Yuās highly appealing artistry. On the basis of the present release, plus a number of YouTube links that feature some excellent Debussy Etudes and a complete audio-only Liszt Sonata, Iād like to hear more of Avan Yu both on disc and in concert.
-- Jed Distler, ClassicsToday.com