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Konzerte For Flute & Harp: Henze, Bach, Mozart
C.P.E. Bach’s Flute Concerto in d, Wq 22 dates from his years in Berlin during the reign of Frederic the Great. + Bach’s music was the immediate starting point for Hans Werner Henze’s conception of musical and aesthetic history as well as for his work as a composer, so for example in his interpretative transcription of one of Bach’s Fantasias. + Mozart is here represented by his Concerto for Flute and Harp, KV 299. + “The young Argentinean flautist Maria Cecilia Muñoz has astounding technique… beauty and refinement of sound…supple opulence and luminous tone.” (Wiener Zeitung, Austria)
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Konzerte For Flute & Harp: Henze, Bach, Mozart
Konzerte For Flute & Harp: Henze, Bach, Mozart
C.P.E. Bach’s Flute Concerto in d, Wq 22 dates from his years in Berlin during the reign of Frederic the Great. + Bach’s music was the immediate starting point for Hans Werner Henze’s conception of musical and aesthetic history as well as for his work as a composer, so for example in his interpretative transcription of one of Bach’s Fantasias. + Mozart is here represented by his Concerto for Flute and Harp, KV 299. + “The young Argentinean flautist Maria Cecilia Muñoz has astounding technique… beauty and refinement of sound…supple opulence and luminous tone.” (Wiener Zeitung, Austria)
$21.99
Konzerte For Flute & Harp: Henze, Bach, Mozart—
$21.99
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Shipping & Returns
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Description
C.P.E. Bach’s Flute Concerto in d, Wq 22 dates from his years in Berlin during the reign of Frederic the Great. + Bach’s music was the immediate starting point for Hans Werner Henze’s conception of musical and aesthetic history as well as for his work as a composer, so for example in his interpretative transcription of one of Bach’s Fantasias. + Mozart is here represented by his Concerto for Flute and Harp, KV 299. + “The young Argentinean flautist Maria Cecilia Muñoz has astounding technique… beauty and refinement of sound…supple opulence and luminous tone.” (Wiener Zeitung, Austria)
