Janacek: Glagolitic Mass; The Eternal Gospel / Netopil, Prague Radio Symphony & Philharmonic Choir

In the wake of the highly acclaimed recording of JanĆ”cekās symphonic works (Sinfonietta, Taras Bulba, etc., SU 4131; Orchestral Choice, Gramophone, August 2013), TomÔŔ Netopil and the Prague Radio Symphony Orchestra have focused on the composerās vocal- instrumental pieces. The Glagolitic Mass is a generally known work, yet not in the composerās original āSeptember 1927ā version, as it was performed at the premiere in Brno, which has been recorded for the very first time for this CD. It is fascinating to observe how many distinct traits of JanĆ”cekās expressive musical language have vanished from the work as a result of its later modifications. The Eternal Gospel, on the other hand, is a piece virtually unknown worldwide (the only previous Supraphon recording was made almost fifty years ago).
JanĆ”cek was inspired by, and created the libretto on the basis of, Jaroslav Vrchlickýās poem about the medieval monk Joachim de Fiore, to whom an angel appeared, bringing tidings of the arrival of a realm of love. JanĆ”cek worked on the piece concurrently with the opera The Excursion of Mr. Broucek to the Moon and completed it in the spring of 1914, a few months prior to the outbreak of World War I. Netopilās new recording may facilitate bringing the remarkable work back to concert stages.
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Janacek: Glagolitic Mass; The Eternal Gospel / Netopil, Prague Radio Symphony & Philharmonic Choir
Janacek: Glagolitic Mass; The Eternal Gospel / Netopil, Prague Radio Symphony & Philharmonic Choir

In the wake of the highly acclaimed recording of JanĆ”cekās symphonic works (Sinfonietta, Taras Bulba, etc., SU 4131; Orchestral Choice, Gramophone, August 2013), TomÔŔ Netopil and the Prague Radio Symphony Orchestra have focused on the composerās vocal- instrumental pieces. The Glagolitic Mass is a generally known work, yet not in the composerās original āSeptember 1927ā version, as it was performed at the premiere in Brno, which has been recorded for the very first time for this CD. It is fascinating to observe how many distinct traits of JanĆ”cekās expressive musical language have vanished from the work as a result of its later modifications. The Eternal Gospel, on the other hand, is a piece virtually unknown worldwide (the only previous Supraphon recording was made almost fifty years ago).
JanĆ”cek was inspired by, and created the libretto on the basis of, Jaroslav Vrchlickýās poem about the medieval monk Joachim de Fiore, to whom an angel appeared, bringing tidings of the arrival of a realm of love. JanĆ”cek worked on the piece concurrently with the opera The Excursion of Mr. Broucek to the Moon and completed it in the spring of 1914, a few months prior to the outbreak of World War I. Netopilās new recording may facilitate bringing the remarkable work back to concert stages.
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In the wake of the highly acclaimed recording of JanĆ”cekās symphonic works (Sinfonietta, Taras Bulba, etc., SU 4131; Orchestral Choice, Gramophone, August 2013), TomÔŔ Netopil and the Prague Radio Symphony Orchestra have focused on the composerās vocal- instrumental pieces. The Glagolitic Mass is a generally known work, yet not in the composerās original āSeptember 1927ā version, as it was performed at the premiere in Brno, which has been recorded for the very first time for this CD. It is fascinating to observe how many distinct traits of JanĆ”cekās expressive musical language have vanished from the work as a result of its later modifications. The Eternal Gospel, on the other hand, is a piece virtually unknown worldwide (the only previous Supraphon recording was made almost fifty years ago).
JanĆ”cek was inspired by, and created the libretto on the basis of, Jaroslav Vrchlickýās poem about the medieval monk Joachim de Fiore, to whom an angel appeared, bringing tidings of the arrival of a realm of love. JanĆ”cek worked on the piece concurrently with the opera The Excursion of Mr. Broucek to the Moon and completed it in the spring of 1914, a few months prior to the outbreak of World War I. Netopilās new recording may facilitate bringing the remarkable work back to concert stages.