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Ippolitov-Ivanov: Symphony No 1, Etc. / Hoey, Singapore Symphony
A pupil of Rimsky-Korsakov and director of the Moscow Conservatory, Mikhail Ippolitov-Ivanov is most famous for his evocative Caucasian Sketches [8.553405]. He was always interested in the music of the ethnic minorities in the Soviet Union and in later life he pursued an interest in the music of the Turkish peoples, composing the Turkish Fragments, Op. 62 in 1930. This richly melodic suite is notable for its characteristically oriental turns of phrase. Many years earlier, in 1908, he wrote his Symphony No. 1 in E minor, Op. 46 which, with its solemn evocations of liturgical music, confirmed him in the lineage of eminent Russian symphonists.
REVIEW:
The Singapore Symphony under Choo Hoey's direction plays everything capably; the homophonic chords in the symphony's first movement are powerful. I can imagine any of the London orchestras supplying greater tonal finish, but not necessarily mustering a comparable empathy and enthusiasm. The reproduction is excellent.
ā MusicWeb International
REVIEW:
The Singapore Symphony under Choo Hoey's direction plays everything capably; the homophonic chords in the symphony's first movement are powerful. I can imagine any of the London orchestras supplying greater tonal finish, but not necessarily mustering a comparable empathy and enthusiasm. The reproduction is excellent.
ā MusicWeb International
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Ippolitov-Ivanov: Symphony No 1, Etc. / Hoey, Singapore Symphony
Ippolitov-Ivanov: Symphony No 1, Etc. / Hoey, Singapore Symphony
A pupil of Rimsky-Korsakov and director of the Moscow Conservatory, Mikhail Ippolitov-Ivanov is most famous for his evocative Caucasian Sketches [8.553405]. He was always interested in the music of the ethnic minorities in the Soviet Union and in later life he pursued an interest in the music of the Turkish peoples, composing the Turkish Fragments, Op. 62 in 1930. This richly melodic suite is notable for its characteristically oriental turns of phrase. Many years earlier, in 1908, he wrote his Symphony No. 1 in E minor, Op. 46 which, with its solemn evocations of liturgical music, confirmed him in the lineage of eminent Russian symphonists.
REVIEW:
The Singapore Symphony under Choo Hoey's direction plays everything capably; the homophonic chords in the symphony's first movement are powerful. I can imagine any of the London orchestras supplying greater tonal finish, but not necessarily mustering a comparable empathy and enthusiasm. The reproduction is excellent.
ā MusicWeb International
REVIEW:
The Singapore Symphony under Choo Hoey's direction plays everything capably; the homophonic chords in the symphony's first movement are powerful. I can imagine any of the London orchestras supplying greater tonal finish, but not necessarily mustering a comparable empathy and enthusiasm. The reproduction is excellent.
ā MusicWeb International
$19.99
Ippolitov-Ivanov: Symphony No 1, Etc. / Hoey, Singapore Symphonyā
$19.99
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
A pupil of Rimsky-Korsakov and director of the Moscow Conservatory, Mikhail Ippolitov-Ivanov is most famous for his evocative Caucasian Sketches [8.553405]. He was always interested in the music of the ethnic minorities in the Soviet Union and in later life he pursued an interest in the music of the Turkish peoples, composing the Turkish Fragments, Op. 62 in 1930. This richly melodic suite is notable for its characteristically oriental turns of phrase. Many years earlier, in 1908, he wrote his Symphony No. 1 in E minor, Op. 46 which, with its solemn evocations of liturgical music, confirmed him in the lineage of eminent Russian symphonists.
REVIEW:
The Singapore Symphony under Choo Hoey's direction plays everything capably; the homophonic chords in the symphony's first movement are powerful. I can imagine any of the London orchestras supplying greater tonal finish, but not necessarily mustering a comparable empathy and enthusiasm. The reproduction is excellent.
ā MusicWeb International
REVIEW:
The Singapore Symphony under Choo Hoey's direction plays everything capably; the homophonic chords in the symphony's first movement are powerful. I can imagine any of the London orchestras supplying greater tonal finish, but not necessarily mustering a comparable empathy and enthusiasm. The reproduction is excellent.
ā MusicWeb International
