Ichmouratov: Letter from an Unknown Woman / Bushkov, Belarusian State Chamber Orchestra
Montreal-based since 1998, Airat Ichmouratov (b. 1973) traces his musical roots back to the dominant culture in his native Tatarstan in Soviet times: āIt was definitely the Russian school of composersā, he says, without rancour. āIām influenced to this day by Shostakovich, Prokofiev, Mussorgsky, Rachmaninoff, and Tchaikovsky. My own musical style has evolved out of this rich heritage.ā Thereās more. The Volga Tatar-born Russian-Canadian composer learned to play klezmer music while busking, together with his viola-playing wife, as new immigrants on the streets and MĆ©tro of Montreal. āIāve been touring the world for twenty years as a clarinettist with the Montreal band Kleztory and find myself, a Muslim-born musician, playing klezmer. This, too, is now a distinctive part of my musical language.ā
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Ichmouratov: Letter from an Unknown Woman / Bushkov, Belarusian State Chamber Orchestra
Ichmouratov: Letter from an Unknown Woman / Bushkov, Belarusian State Chamber Orchestra
Montreal-based since 1998, Airat Ichmouratov (b. 1973) traces his musical roots back to the dominant culture in his native Tatarstan in Soviet times: āIt was definitely the Russian school of composersā, he says, without rancour. āIām influenced to this day by Shostakovich, Prokofiev, Mussorgsky, Rachmaninoff, and Tchaikovsky. My own musical style has evolved out of this rich heritage.ā Thereās more. The Volga Tatar-born Russian-Canadian composer learned to play klezmer music while busking, together with his viola-playing wife, as new immigrants on the streets and MĆ©tro of Montreal. āIāve been touring the world for twenty years as a clarinettist with the Montreal band Kleztory and find myself, a Muslim-born musician, playing klezmer. This, too, is now a distinctive part of my musical language.ā
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Montreal-based since 1998, Airat Ichmouratov (b. 1973) traces his musical roots back to the dominant culture in his native Tatarstan in Soviet times: āIt was definitely the Russian school of composersā, he says, without rancour. āIām influenced to this day by Shostakovich, Prokofiev, Mussorgsky, Rachmaninoff, and Tchaikovsky. My own musical style has evolved out of this rich heritage.ā Thereās more. The Volga Tatar-born Russian-Canadian composer learned to play klezmer music while busking, together with his viola-playing wife, as new immigrants on the streets and MĆ©tro of Montreal. āIāve been touring the world for twenty years as a clarinettist with the Montreal band Kleztory and find myself, a Muslim-born musician, playing klezmer. This, too, is now a distinctive part of my musical language.ā