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Ichmouratov: Letter from an Unknown Woman / Bushkov, Belarusian State Chamber Orchestra

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Ichmouratov: Letter from an Unknown Woman / Bushkov, Belarusian State Chamber Orchestra

Ichmouratov: Letter from an Unknown Woman / Bushkov, Belarusian State Chamber Orchestra

Montreal-based since 1998, Airat Ichmouratov (b. 1973) traces his musical roots back to the dominant culture in his native Tatarstan in Soviet times: ā€˜It was definitely the Russian school of composers’, he says, without rancour. ā€˜I’m influenced to this day by Shostakovich, Prokofiev, Mussorgsky, Rachmaninoff, and Tchaikovsky. My own musical style has evolved out of this rich heritage.’ There’s more. The Volga Tatar-born Russian-Canadian composer learned to play klezmer music while busking, together with his viola-playing wife, as new immigrants on the streets and MĆ©tro of Montreal. ā€˜I’ve been touring the world for twenty years as a clarinettist with the Montreal band Kleztory and find myself, a Muslim-born musician, playing klezmer. This, too, is now a distinctive part of my musical language.’

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Ichmouratov: Letter from an Unknown Woman / Bushkov, Belarusian State Chamber Orchestra—

$16.99

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Montreal-based since 1998, Airat Ichmouratov (b. 1973) traces his musical roots back to the dominant culture in his native Tatarstan in Soviet times: ā€˜It was definitely the Russian school of composers’, he says, without rancour. ā€˜I’m influenced to this day by Shostakovich, Prokofiev, Mussorgsky, Rachmaninoff, and Tchaikovsky. My own musical style has evolved out of this rich heritage.’ There’s more. The Volga Tatar-born Russian-Canadian composer learned to play klezmer music while busking, together with his viola-playing wife, as new immigrants on the streets and MĆ©tro of Montreal. ā€˜I’ve been touring the world for twenty years as a clarinettist with the Montreal band Kleztory and find myself, a Muslim-born musician, playing klezmer. This, too, is now a distinctive part of my musical language.’