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Herbert: Cello Concertos Nos. 1, 2 & Irish Rhapsody / Kosower, Falletta, Ulster Orchestra
Listen to the Naxos Podcast to learn more about this release
Irish-born Victor Herbert was one of the most celebrated names in American music in the late-nineteenth and early twentieth centuries. A cellist, conductor, and composer of light operas, he was also a recording artist. His two cello concertos are full of gracious melodies, the D major having a song-like slow movement and a spirited polonaise finale that earned praise at its 1885 premiĆØre in Stuttgart. The E minor concerto, scored for a large orchestra, is more tightly constructed then the first and it was hearing this work that inspired Herbertās superior at the National Conservatory in New York, AntonĆn DvorĆ”k, to write his own great B minor cello concerto.
Irish-born Victor Herbert was one of the most celebrated names in American music in the late-nineteenth and early twentieth centuries. A cellist, conductor, and composer of light operas, he was also a recording artist. His two cello concertos are full of gracious melodies, the D major having a song-like slow movement and a spirited polonaise finale that earned praise at its 1885 premiĆØre in Stuttgart. The E minor concerto, scored for a large orchestra, is more tightly constructed then the first and it was hearing this work that inspired Herbertās superior at the National Conservatory in New York, AntonĆn DvorĆ”k, to write his own great B minor cello concerto.
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Herbert: Cello Concertos Nos. 1, 2 & Irish Rhapsody / Kosower, Falletta, Ulster Orchestra
Herbert: Cello Concertos Nos. 1, 2 & Irish Rhapsody / Kosower, Falletta, Ulster Orchestra
Listen to the Naxos Podcast to learn more about this release
Irish-born Victor Herbert was one of the most celebrated names in American music in the late-nineteenth and early twentieth centuries. A cellist, conductor, and composer of light operas, he was also a recording artist. His two cello concertos are full of gracious melodies, the D major having a song-like slow movement and a spirited polonaise finale that earned praise at its 1885 premiĆØre in Stuttgart. The E minor concerto, scored for a large orchestra, is more tightly constructed then the first and it was hearing this work that inspired Herbertās superior at the National Conservatory in New York, AntonĆn DvorĆ”k, to write his own great B minor cello concerto.
Irish-born Victor Herbert was one of the most celebrated names in American music in the late-nineteenth and early twentieth centuries. A cellist, conductor, and composer of light operas, he was also a recording artist. His two cello concertos are full of gracious melodies, the D major having a song-like slow movement and a spirited polonaise finale that earned praise at its 1885 premiĆØre in Stuttgart. The E minor concerto, scored for a large orchestra, is more tightly constructed then the first and it was hearing this work that inspired Herbertās superior at the National Conservatory in New York, AntonĆn DvorĆ”k, to write his own great B minor cello concerto.
$19.99
Herbert: Cello Concertos Nos. 1, 2 & Irish Rhapsody / Kosower, Falletta, Ulster Orchestraā
$19.99
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Product Information
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Description
Listen to the Naxos Podcast to learn more about this release
Irish-born Victor Herbert was one of the most celebrated names in American music in the late-nineteenth and early twentieth centuries. A cellist, conductor, and composer of light operas, he was also a recording artist. His two cello concertos are full of gracious melodies, the D major having a song-like slow movement and a spirited polonaise finale that earned praise at its 1885 premiĆØre in Stuttgart. The E minor concerto, scored for a large orchestra, is more tightly constructed then the first and it was hearing this work that inspired Herbertās superior at the National Conservatory in New York, AntonĆn DvorĆ”k, to write his own great B minor cello concerto.
Irish-born Victor Herbert was one of the most celebrated names in American music in the late-nineteenth and early twentieth centuries. A cellist, conductor, and composer of light operas, he was also a recording artist. His two cello concertos are full of gracious melodies, the D major having a song-like slow movement and a spirited polonaise finale that earned praise at its 1885 premiĆØre in Stuttgart. The E minor concerto, scored for a large orchestra, is more tightly constructed then the first and it was hearing this work that inspired Herbertās superior at the National Conservatory in New York, AntonĆn DvorĆ”k, to write his own great B minor cello concerto.
