Goddess of the Cello / Walevska
Savour the creative talent heard through these hand-picked selections of Christine Walevska, cellist extroadinaire, who continues to touch her audiences worldwide with her timeless, polished, eloquent, sensuous, engaging and dramatic musicality. Christine is known for her numerous recordings with Philips Records, and for her countless concertos worldwide. In 1975, she became the first American concert musician to perform in Cuba under the regime of Fidel Castro. Music Critic Antonio Hernandez wrote in the Brazilian newspaper O Globo that Christine was the āgoddess of the cello,ā a name which she is still called today. āShe is still the only cellist who takes my breath awayā¦ā (Arthur Rubenstein) āShe parallels on the cello the single persuasiveness of Fritz Kreisler on the violinā¦ā (Patterson Greene, Los Angeles Music Critic)
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Goddess of the Cello / Walevska
Goddess of the Cello / Walevska
Savour the creative talent heard through these hand-picked selections of Christine Walevska, cellist extroadinaire, who continues to touch her audiences worldwide with her timeless, polished, eloquent, sensuous, engaging and dramatic musicality. Christine is known for her numerous recordings with Philips Records, and for her countless concertos worldwide. In 1975, she became the first American concert musician to perform in Cuba under the regime of Fidel Castro. Music Critic Antonio Hernandez wrote in the Brazilian newspaper O Globo that Christine was the āgoddess of the cello,ā a name which she is still called today. āShe is still the only cellist who takes my breath awayā¦ā (Arthur Rubenstein) āShe parallels on the cello the single persuasiveness of Fritz Kreisler on the violinā¦ā (Patterson Greene, Los Angeles Music Critic)
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Savour the creative talent heard through these hand-picked selections of Christine Walevska, cellist extroadinaire, who continues to touch her audiences worldwide with her timeless, polished, eloquent, sensuous, engaging and dramatic musicality. Christine is known for her numerous recordings with Philips Records, and for her countless concertos worldwide. In 1975, she became the first American concert musician to perform in Cuba under the regime of Fidel Castro. Music Critic Antonio Hernandez wrote in the Brazilian newspaper O Globo that Christine was the āgoddess of the cello,ā a name which she is still called today. āShe is still the only cellist who takes my breath awayā¦ā (Arthur Rubenstein) āShe parallels on the cello the single persuasiveness of Fritz Kreisler on the violinā¦ā (Patterson Greene, Los Angeles Music Critic)