Gliere: Symphony No 3 "Il'ya Muromets" / Falletta
āThe GliĆØre Symphony No 3 has always been a piece that shimmered on my horizonāa cult piece, in a way, renowned as the composerās towering masterpiece but rarely played in concert. As long as a Mahler symphony and enormous in its instrumental requirements, it was a work that people spoke about reverently but almost never heard live. The recording was an adventure that changed our orchestra, strengthened us, and became an artistic benchmark for our musicians. We revelled in the gorgeous landscape of the Symphonyāfrom mysterious bass murmurings to crushing walls of brass fortissimo to breathtaking impressionistic renderings of forests and birds. We performed and recorded this massive work uncut to preserve GliĆØreās extraordinary architecture. This work is a cathedral in sound that unfolds in breathtaking swashes of colour, poetry and monumental climaxes.ā ā JoAnn Falletta
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Gliere: Symphony No 3 "Il'ya Muromets" / Falletta
Gliere: Symphony No 3 "Il'ya Muromets" / Falletta
āThe GliĆØre Symphony No 3 has always been a piece that shimmered on my horizonāa cult piece, in a way, renowned as the composerās towering masterpiece but rarely played in concert. As long as a Mahler symphony and enormous in its instrumental requirements, it was a work that people spoke about reverently but almost never heard live. The recording was an adventure that changed our orchestra, strengthened us, and became an artistic benchmark for our musicians. We revelled in the gorgeous landscape of the Symphonyāfrom mysterious bass murmurings to crushing walls of brass fortissimo to breathtaking impressionistic renderings of forests and birds. We performed and recorded this massive work uncut to preserve GliĆØreās extraordinary architecture. This work is a cathedral in sound that unfolds in breathtaking swashes of colour, poetry and monumental climaxes.ā ā JoAnn Falletta
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āThe GliĆØre Symphony No 3 has always been a piece that shimmered on my horizonāa cult piece, in a way, renowned as the composerās towering masterpiece but rarely played in concert. As long as a Mahler symphony and enormous in its instrumental requirements, it was a work that people spoke about reverently but almost never heard live. The recording was an adventure that changed our orchestra, strengthened us, and became an artistic benchmark for our musicians. We revelled in the gorgeous landscape of the Symphonyāfrom mysterious bass murmurings to crushing walls of brass fortissimo to breathtaking impressionistic renderings of forests and birds. We performed and recorded this massive work uncut to preserve GliĆØreās extraordinary architecture. This work is a cathedral in sound that unfolds in breathtaking swashes of colour, poetry and monumental climaxes.ā ā JoAnn Falletta