Frommel: Piano Sonatas Nos. 1-3 / Tatjana Blome
Gerhard Frommel rejected vapid pre-war Nationalism and Schoenberg’s dodecaphony, finding his voice in individuality and tradition. His highly contrasting Piano Sonatas are rooted in a blend of romanticism and the rhythmic propulsion of Stravinsky, articulated with tenderness in No 1, clownish grotesquerie in No 2, and sensual impressionism in No 3.
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Frommel: Piano Sonatas Nos. 1-3 / Tatjana Blome
Frommel: Piano Sonatas Nos. 1-3 / Tatjana Blome
Gerhard Frommel rejected vapid pre-war Nationalism and Schoenberg’s dodecaphony, finding his voice in individuality and tradition. His highly contrasting Piano Sonatas are rooted in a blend of romanticism and the rhythmic propulsion of Stravinsky, articulated with tenderness in No 1, clownish grotesquerie in No 2, and sensual impressionism in No 3.
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Description
Gerhard Frommel rejected vapid pre-war Nationalism and Schoenberg’s dodecaphony, finding his voice in individuality and tradition. His highly contrasting Piano Sonatas are rooted in a blend of romanticism and the rhythmic propulsion of Stravinsky, articulated with tenderness in No 1, clownish grotesquerie in No 2, and sensual impressionism in No 3.
