Crumb: Complete Edition, Vol. 19: Metamorphoses, Book 1 / Barone
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REVIEWS:
Klee, Van Gogh, Chagall, Whistler, Gauguin and Kandinsky all give inspiration for a stylistically inclusive, vigorously inventive sequence: just 37½ minutes of music, but a disc of real substance.
– Sunday Times (UK)
The pianist Marcantonio Barone places Crumb’s evocative gestures with reverent care and gives them space to make their full effect, and he’s as responsive to the music’s savage or folk-like moments as he is to its quiet poetry. The recorded sound is ideally close so the piano’s resonances sound huge and all-enveloping, as they should. Those who already know Crumb’s music well might be a tad disappointed that this piece breaks no new ground creatively. But for those who don’t it offers a wonderfully concentrated, vivid introduction to his imaginative world.
– The Telegraph (UK)
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Crumb: Complete Edition, Vol. 19: Metamorphoses, Book 1 / Barone
Crumb: Complete Edition, Vol. 19: Metamorphoses, Book 1 / Barone
-----
REVIEWS:
Klee, Van Gogh, Chagall, Whistler, Gauguin and Kandinsky all give inspiration for a stylistically inclusive, vigorously inventive sequence: just 37½ minutes of music, but a disc of real substance.
– Sunday Times (UK)
The pianist Marcantonio Barone places Crumb’s evocative gestures with reverent care and gives them space to make their full effect, and he’s as responsive to the music’s savage or folk-like moments as he is to its quiet poetry. The recorded sound is ideally close so the piano’s resonances sound huge and all-enveloping, as they should. Those who already know Crumb’s music well might be a tad disappointed that this piece breaks no new ground creatively. But for those who don’t it offers a wonderfully concentrated, vivid introduction to his imaginative world.
– The Telegraph (UK)
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REVIEWS:
Klee, Van Gogh, Chagall, Whistler, Gauguin and Kandinsky all give inspiration for a stylistically inclusive, vigorously inventive sequence: just 37½ minutes of music, but a disc of real substance.
– Sunday Times (UK)
The pianist Marcantonio Barone places Crumb’s evocative gestures with reverent care and gives them space to make their full effect, and he’s as responsive to the music’s savage or folk-like moments as he is to its quiet poetry. The recorded sound is ideally close so the piano’s resonances sound huge and all-enveloping, as they should. Those who already know Crumb’s music well might be a tad disappointed that this piece breaks no new ground creatively. But for those who don’t it offers a wonderfully concentrated, vivid introduction to his imaginative world.
– The Telegraph (UK)