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Colin: Maitena / Bilbao Symphony Orchestra, Bilbao Choral Society, SƔnchez Silva
| Maitena (1909) was a further step towards achieving the ideal of Basque opera linked to that of its own lyric theatre. For the critic and musicographer Francisco Gascue: āColin has written a score that is as far from Wagnerian complications as it is from orchestral poverty; it is accessible without being poor or rudimentary. Colin has shown the same exquisite taste in the handling of the orchestra as in the choice of melodiesā. He also singles out the duet between Domingo and Maitena at the beginning of Act I, the tenor and baritone duet that follows, the quartet in Scene VI, the melody sung by ChaadiƱ at the beginning of Act II, Batistaās couplets and for its effect and simplicity the Angelus scene. He ends by noting the appropriate treatment of the chorus. |
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Colin: Maitena / Bilbao Symphony Orchestra, Bilbao Choral Society, SƔnchez Silva
Colin: Maitena / Bilbao Symphony Orchestra, Bilbao Choral Society, SƔnchez Silva
| Maitena (1909) was a further step towards achieving the ideal of Basque opera linked to that of its own lyric theatre. For the critic and musicographer Francisco Gascue: āColin has written a score that is as far from Wagnerian complications as it is from orchestral poverty; it is accessible without being poor or rudimentary. Colin has shown the same exquisite taste in the handling of the orchestra as in the choice of melodiesā. He also singles out the duet between Domingo and Maitena at the beginning of Act I, the tenor and baritone duet that follows, the quartet in Scene VI, the melody sung by ChaadiƱ at the beginning of Act II, Batistaās couplets and for its effect and simplicity the Angelus scene. He ends by noting the appropriate treatment of the chorus. |
$6.30
Original: $17.99
-65%Colin: Maitena / Bilbao Symphony Orchestra, Bilbao Choral Society, SĆ”nchez Silvaā
$17.99
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| Maitena (1909) was a further step towards achieving the ideal of Basque opera linked to that of its own lyric theatre. For the critic and musicographer Francisco Gascue: āColin has written a score that is as far from Wagnerian complications as it is from orchestral poverty; it is accessible without being poor or rudimentary. Colin has shown the same exquisite taste in the handling of the orchestra as in the choice of melodiesā. He also singles out the duet between Domingo and Maitena at the beginning of Act I, the tenor and baritone duet that follows, the quartet in Scene VI, the melody sung by ChaadiƱ at the beginning of Act II, Batistaās couplets and for its effect and simplicity the Angelus scene. He ends by noting the appropriate treatment of the chorus. |
