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Casella: La Donna Serpente / Noseda, Teatro Regio Torino
Also available on Blu-ray
Alfredo Casella was one of the âGeneration of the eightiesâ who sought to shake Italian music from its longstanding operatic heritage and the dominance of Puccini. La donna serpente was Casellaâs only full-scale opera, its fantastic plot based on Carlo Gozziâs renowned fairy tale that perpetually alternates between tragedy and comedy, expressed in neo-Classical music that skillfully portrays the sinister and ethereal world of the fairies as well as the intense emotions of the human realm. This production was acclaimed for Arturo Cirilloâs dreamlike setting and Gianandrea Nosedaâs pin-point conducting: âWhat energy, what precision! ⊠he delivers the complexity of this score with a disconcerting ease.â (resmusica.com)
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REVIEW:
In the leading role of Miranda, Carmela Remigio is one of todayâs leading Italian sopranos in high demand in the worldâs leading opera houses. Totally committed in an exacting role, she is partnered by the Sardinian tenor, Piero Pretti, who is often called upon to go into that upper stratosphere, the conclusion in a duet of sheer exultation. To bring the comedy to life, the Italian trio of Francesco Marsiglia, Marco Filippo Romano and Roberto de Candia are superb both vocally and characterisation.
â David's Review Corner (David Denton)
Alfredo Casella was one of the âGeneration of the eightiesâ who sought to shake Italian music from its longstanding operatic heritage and the dominance of Puccini. La donna serpente was Casellaâs only full-scale opera, its fantastic plot based on Carlo Gozziâs renowned fairy tale that perpetually alternates between tragedy and comedy, expressed in neo-Classical music that skillfully portrays the sinister and ethereal world of the fairies as well as the intense emotions of the human realm. This production was acclaimed for Arturo Cirilloâs dreamlike setting and Gianandrea Nosedaâs pin-point conducting: âWhat energy, what precision! ⊠he delivers the complexity of this score with a disconcerting ease.â (resmusica.com)
-----
REVIEW:
In the leading role of Miranda, Carmela Remigio is one of todayâs leading Italian sopranos in high demand in the worldâs leading opera houses. Totally committed in an exacting role, she is partnered by the Sardinian tenor, Piero Pretti, who is often called upon to go into that upper stratosphere, the conclusion in a duet of sheer exultation. To bring the comedy to life, the Italian trio of Francesco Marsiglia, Marco Filippo Romano and Roberto de Candia are superb both vocally and characterisation.
â David's Review Corner (David Denton)
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Casella: La Donna Serpente / Noseda, Teatro Regio Torino
Casella: La Donna Serpente / Noseda, Teatro Regio Torino
Also available on Blu-ray
Alfredo Casella was one of the âGeneration of the eightiesâ who sought to shake Italian music from its longstanding operatic heritage and the dominance of Puccini. La donna serpente was Casellaâs only full-scale opera, its fantastic plot based on Carlo Gozziâs renowned fairy tale that perpetually alternates between tragedy and comedy, expressed in neo-Classical music that skillfully portrays the sinister and ethereal world of the fairies as well as the intense emotions of the human realm. This production was acclaimed for Arturo Cirilloâs dreamlike setting and Gianandrea Nosedaâs pin-point conducting: âWhat energy, what precision! ⊠he delivers the complexity of this score with a disconcerting ease.â (resmusica.com)
-----
REVIEW:
In the leading role of Miranda, Carmela Remigio is one of todayâs leading Italian sopranos in high demand in the worldâs leading opera houses. Totally committed in an exacting role, she is partnered by the Sardinian tenor, Piero Pretti, who is often called upon to go into that upper stratosphere, the conclusion in a duet of sheer exultation. To bring the comedy to life, the Italian trio of Francesco Marsiglia, Marco Filippo Romano and Roberto de Candia are superb both vocally and characterisation.
â David's Review Corner (David Denton)
Alfredo Casella was one of the âGeneration of the eightiesâ who sought to shake Italian music from its longstanding operatic heritage and the dominance of Puccini. La donna serpente was Casellaâs only full-scale opera, its fantastic plot based on Carlo Gozziâs renowned fairy tale that perpetually alternates between tragedy and comedy, expressed in neo-Classical music that skillfully portrays the sinister and ethereal world of the fairies as well as the intense emotions of the human realm. This production was acclaimed for Arturo Cirilloâs dreamlike setting and Gianandrea Nosedaâs pin-point conducting: âWhat energy, what precision! ⊠he delivers the complexity of this score with a disconcerting ease.â (resmusica.com)
-----
REVIEW:
In the leading role of Miranda, Carmela Remigio is one of todayâs leading Italian sopranos in high demand in the worldâs leading opera houses. Totally committed in an exacting role, she is partnered by the Sardinian tenor, Piero Pretti, who is often called upon to go into that upper stratosphere, the conclusion in a duet of sheer exultation. To bring the comedy to life, the Italian trio of Francesco Marsiglia, Marco Filippo Romano and Roberto de Candia are superb both vocally and characterisation.
â David's Review Corner (David Denton)
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Description
Also available on Blu-ray
Alfredo Casella was one of the âGeneration of the eightiesâ who sought to shake Italian music from its longstanding operatic heritage and the dominance of Puccini. La donna serpente was Casellaâs only full-scale opera, its fantastic plot based on Carlo Gozziâs renowned fairy tale that perpetually alternates between tragedy and comedy, expressed in neo-Classical music that skillfully portrays the sinister and ethereal world of the fairies as well as the intense emotions of the human realm. This production was acclaimed for Arturo Cirilloâs dreamlike setting and Gianandrea Nosedaâs pin-point conducting: âWhat energy, what precision! ⊠he delivers the complexity of this score with a disconcerting ease.â (resmusica.com)
-----
REVIEW:
In the leading role of Miranda, Carmela Remigio is one of todayâs leading Italian sopranos in high demand in the worldâs leading opera houses. Totally committed in an exacting role, she is partnered by the Sardinian tenor, Piero Pretti, who is often called upon to go into that upper stratosphere, the conclusion in a duet of sheer exultation. To bring the comedy to life, the Italian trio of Francesco Marsiglia, Marco Filippo Romano and Roberto de Candia are superb both vocally and characterisation.
â David's Review Corner (David Denton)
Alfredo Casella was one of the âGeneration of the eightiesâ who sought to shake Italian music from its longstanding operatic heritage and the dominance of Puccini. La donna serpente was Casellaâs only full-scale opera, its fantastic plot based on Carlo Gozziâs renowned fairy tale that perpetually alternates between tragedy and comedy, expressed in neo-Classical music that skillfully portrays the sinister and ethereal world of the fairies as well as the intense emotions of the human realm. This production was acclaimed for Arturo Cirilloâs dreamlike setting and Gianandrea Nosedaâs pin-point conducting: âWhat energy, what precision! ⊠he delivers the complexity of this score with a disconcerting ease.â (resmusica.com)
-----
REVIEW:
In the leading role of Miranda, Carmela Remigio is one of todayâs leading Italian sopranos in high demand in the worldâs leading opera houses. Totally committed in an exacting role, she is partnered by the Sardinian tenor, Piero Pretti, who is often called upon to go into that upper stratosphere, the conclusion in a duet of sheer exultation. To bring the comedy to life, the Italian trio of Francesco Marsiglia, Marco Filippo Romano and Roberto de Candia are superb both vocally and characterisation.
â David's Review Corner (David Denton)