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Cannon: Lord of Light, String Quartet & 5 Chansons de femme

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Cannon: Lord of Light, String Quartet & 5 Chansons de femme

Cannon: Lord of Light, String Quartet & 5 Chansons de femme

Philip Cannon’s catalogue embraces a broad range of genres from operas and symphonies to songs and keyboard works. His first significant pieces were written whilst he was still a student at the RCM. Musicologist Rollo Myers wrote of Philip Cannon, ā€˜One is conscious of a strong and instinctive musical personality and a purposefulness which excludes all irrelevancies and anything in the nature of ā€œpaddingā€ ... in listening to his music one is never conscious of any deliberate striving for effect; what one hears is a direct and personal utterance’. Each of the three works presented here demonstrate that powerful combination of clarity and originality. The music is an extension of the man – unaffected, fearlessly independent and emotionally honest - and he was unsparing of himself in his quest to realise the full potential of his material. As Cannon himself put it, ā€˜it is what the music says that counts in sincere compositions, and this should be said as simply, lucidly and directly as possible, and should flow inevitably’. Paul Conway
$12.99
Cannon: Lord of Light, String Quartet & 5 Chansons de femme—
$12.99

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Philip Cannon’s catalogue embraces a broad range of genres from operas and symphonies to songs and keyboard works. His first significant pieces were written whilst he was still a student at the RCM. Musicologist Rollo Myers wrote of Philip Cannon, ā€˜One is conscious of a strong and instinctive musical personality and a purposefulness which excludes all irrelevancies and anything in the nature of ā€œpaddingā€ ... in listening to his music one is never conscious of any deliberate striving for effect; what one hears is a direct and personal utterance’. Each of the three works presented here demonstrate that powerful combination of clarity and originality. The music is an extension of the man – unaffected, fearlessly independent and emotionally honest - and he was unsparing of himself in his quest to realise the full potential of his material. As Cannon himself put it, ā€˜it is what the music says that counts in sincere compositions, and this should be said as simply, lucidly and directly as possible, and should flow inevitably’. Paul Conway