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Brahms: Violin Sonatas Nos. 1-3 / Tetzlaff, Vogt
This exciting new program of Violin Sonatas by Johannes Brahms (1833-1897) comes from award-winning violinist Christian Tetzlaff and pianist Lars Vogt as the latest volume in their highly successful series of violin chamber works. These sonatas were composed between 1878 and 1888, and are among the greatest 19th century chamber music masterpieces. . This release also features a Scherzo movement from the F. A. E. Sonata, which was Brahmsā contribution to a composite sonata with Albert Dietrich and Robert Schumann in 1853. Christian Tetzlaff maintains an extensive performance schedule and is one of the worldās leading international violinists. He has won numerous awards including āInstrumentalist of the Yearā from Musical America, and the āPreis der deutschen Schallplattenkritikā for his recording of violin concertos by Mendelssohn and Schumann.
REVIEWS:
A breathtaking balance of poise and daring. Tetzlaff and Vogt take obvious pleasure in details without losing sight of the larger picture, whether itās a phrase, a movement or an entire work. Indeed, they sharply delineate the individual character of each sonata.
ā Gramophone Magazine
I get the impression that Christian Tetzlaff and Lars Vogt want to drag the composer out of his book-lined study and seal the door. Itās beautiful playing, tonally and expressively, and very musical, but itās also surprisingly open ā Brahms after an expensive course of Viennese psychotherapy.
ā BBC Music Magazine
REVIEWS:
A breathtaking balance of poise and daring. Tetzlaff and Vogt take obvious pleasure in details without losing sight of the larger picture, whether itās a phrase, a movement or an entire work. Indeed, they sharply delineate the individual character of each sonata.
ā Gramophone Magazine
I get the impression that Christian Tetzlaff and Lars Vogt want to drag the composer out of his book-lined study and seal the door. Itās beautiful playing, tonally and expressively, and very musical, but itās also surprisingly open ā Brahms after an expensive course of Viennese psychotherapy.
ā BBC Music Magazine
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Brahms: Violin Sonatas Nos. 1-3 / Tetzlaff, Vogt
Brahms: Violin Sonatas Nos. 1-3 / Tetzlaff, Vogt
This exciting new program of Violin Sonatas by Johannes Brahms (1833-1897) comes from award-winning violinist Christian Tetzlaff and pianist Lars Vogt as the latest volume in their highly successful series of violin chamber works. These sonatas were composed between 1878 and 1888, and are among the greatest 19th century chamber music masterpieces. . This release also features a Scherzo movement from the F. A. E. Sonata, which was Brahmsā contribution to a composite sonata with Albert Dietrich and Robert Schumann in 1853. Christian Tetzlaff maintains an extensive performance schedule and is one of the worldās leading international violinists. He has won numerous awards including āInstrumentalist of the Yearā from Musical America, and the āPreis der deutschen Schallplattenkritikā for his recording of violin concertos by Mendelssohn and Schumann.
REVIEWS:
A breathtaking balance of poise and daring. Tetzlaff and Vogt take obvious pleasure in details without losing sight of the larger picture, whether itās a phrase, a movement or an entire work. Indeed, they sharply delineate the individual character of each sonata.
ā Gramophone Magazine
I get the impression that Christian Tetzlaff and Lars Vogt want to drag the composer out of his book-lined study and seal the door. Itās beautiful playing, tonally and expressively, and very musical, but itās also surprisingly open ā Brahms after an expensive course of Viennese psychotherapy.
ā BBC Music Magazine
REVIEWS:
A breathtaking balance of poise and daring. Tetzlaff and Vogt take obvious pleasure in details without losing sight of the larger picture, whether itās a phrase, a movement or an entire work. Indeed, they sharply delineate the individual character of each sonata.
ā Gramophone Magazine
I get the impression that Christian Tetzlaff and Lars Vogt want to drag the composer out of his book-lined study and seal the door. Itās beautiful playing, tonally and expressively, and very musical, but itās also surprisingly open ā Brahms after an expensive course of Viennese psychotherapy.
ā BBC Music Magazine
$18.99
Brahms: Violin Sonatas Nos. 1-3 / Tetzlaff, Vogtā
$18.99
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
This exciting new program of Violin Sonatas by Johannes Brahms (1833-1897) comes from award-winning violinist Christian Tetzlaff and pianist Lars Vogt as the latest volume in their highly successful series of violin chamber works. These sonatas were composed between 1878 and 1888, and are among the greatest 19th century chamber music masterpieces. . This release also features a Scherzo movement from the F. A. E. Sonata, which was Brahmsā contribution to a composite sonata with Albert Dietrich and Robert Schumann in 1853. Christian Tetzlaff maintains an extensive performance schedule and is one of the worldās leading international violinists. He has won numerous awards including āInstrumentalist of the Yearā from Musical America, and the āPreis der deutschen Schallplattenkritikā for his recording of violin concertos by Mendelssohn and Schumann.
REVIEWS:
A breathtaking balance of poise and daring. Tetzlaff and Vogt take obvious pleasure in details without losing sight of the larger picture, whether itās a phrase, a movement or an entire work. Indeed, they sharply delineate the individual character of each sonata.
ā Gramophone Magazine
I get the impression that Christian Tetzlaff and Lars Vogt want to drag the composer out of his book-lined study and seal the door. Itās beautiful playing, tonally and expressively, and very musical, but itās also surprisingly open ā Brahms after an expensive course of Viennese psychotherapy.
ā BBC Music Magazine
REVIEWS:
A breathtaking balance of poise and daring. Tetzlaff and Vogt take obvious pleasure in details without losing sight of the larger picture, whether itās a phrase, a movement or an entire work. Indeed, they sharply delineate the individual character of each sonata.
ā Gramophone Magazine
I get the impression that Christian Tetzlaff and Lars Vogt want to drag the composer out of his book-lined study and seal the door. Itās beautiful playing, tonally and expressively, and very musical, but itās also surprisingly open ā Brahms after an expensive course of Viennese psychotherapy.
ā BBC Music Magazine