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Bach: Goldberg Variations, BWV 988 / Moersch

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Bach: Goldberg Variations, BWV 988 / Moersch

Bach: Goldberg Variations, BWV 988 / Moersch

The Goldberg Variations of J.S. Bach are without doubt one of the greatest of all keyboard masterpieces. Charlotte Mattax Moersch gives us an informed and gripping performance of this unquestioned masterpiece. Harpsichordist Charlotte Mattax Moersch has performed worldwide as a soloist and chamber musician. Since capturing First and Third Prizes in basso continuo and solo playing in the International Harpsichord Competitions in Paris, France and Bruges, Belgium, she has appeared in solo recitals in New York, London, Edinburgh, Rome, Geneva, Paris, and Amsterdam, and at historic venues, among them Carnegie Hall, the Royal Albert Hall, the Mozarteum, and the Palazzo della Cancelleria. Called a ā€œnonpareil harpsichordistā€ by Early Music America, she has received critical acclaim for her playing, at once ā€œdashing yet intelligentā€ (Classical Times, London), and ā€œfluent and expressiveā€ (Fanfare Magazine). As a guest artist, she has performed at the Festival of the Associazione Musicale Romana, Festival Estival de Paris, Tage alter musik Regensburg, and the Bethlehem and Boulder Bach Festivals, and has toured Europe with San Francisco’s American Baroque and the Orpheus Chamber Orchestra.

$6.65

Original: $18.99

-65%
Bach: Goldberg Variations, BWV 988 / Moersch—

$18.99

$6.65

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The Goldberg Variations of J.S. Bach are without doubt one of the greatest of all keyboard masterpieces. Charlotte Mattax Moersch gives us an informed and gripping performance of this unquestioned masterpiece. Harpsichordist Charlotte Mattax Moersch has performed worldwide as a soloist and chamber musician. Since capturing First and Third Prizes in basso continuo and solo playing in the International Harpsichord Competitions in Paris, France and Bruges, Belgium, she has appeared in solo recitals in New York, London, Edinburgh, Rome, Geneva, Paris, and Amsterdam, and at historic venues, among them Carnegie Hall, the Royal Albert Hall, the Mozarteum, and the Palazzo della Cancelleria. Called a ā€œnonpareil harpsichordistā€ by Early Music America, she has received critical acclaim for her playing, at once ā€œdashing yet intelligentā€ (Classical Times, London), and ā€œfluent and expressiveā€ (Fanfare Magazine). As a guest artist, she has performed at the Festival of the Associazione Musicale Romana, Festival Estival de Paris, Tage alter musik Regensburg, and the Bethlehem and Boulder Bach Festivals, and has toured Europe with San Francisco’s American Baroque and the Orpheus Chamber Orchestra.