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8 PIECES, OP. 83
Founded at the Musik Akademie der Stadt Basel, Switzerland, Philon Trio is a chamber ensemble consisting of David Dias da Silva on clarinet, Adam Newman on viola, and Camilla Kƶhnken on piano. Itās in the context of a residency at Canadaās Banff Center for Arts and Creativity in Alberta that they recorded the excellent work 8 Pieces, Op. 83 by the German composer Max Bruch. Bruch was 72 in 1910 when he composed Acht Stucke Op. 83 for his son, Max Felix, already a professional clarinetist. Written in a late but conservative Romantic style, far removed from the language of Bruchās contemporaries Stravinsky, BartĆ³k, and Schoenberg, this work is deep, intense, passionate and intimate.
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8 PIECES, OP. 83
8 PIECES, OP. 83
Founded at the Musik Akademie der Stadt Basel, Switzerland, Philon Trio is a chamber ensemble consisting of David Dias da Silva on clarinet, Adam Newman on viola, and Camilla Kƶhnken on piano. Itās in the context of a residency at Canadaās Banff Center for Arts and Creativity in Alberta that they recorded the excellent work 8 Pieces, Op. 83 by the German composer Max Bruch. Bruch was 72 in 1910 when he composed Acht Stucke Op. 83 for his son, Max Felix, already a professional clarinetist. Written in a late but conservative Romantic style, far removed from the language of Bruchās contemporaries Stravinsky, BartĆ³k, and Schoenberg, this work is deep, intense, passionate and intimate.
$20.99
8 PIECES, OP. 83ā
$20.99
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Shipping & Returns
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Description
Founded at the Musik Akademie der Stadt Basel, Switzerland, Philon Trio is a chamber ensemble consisting of David Dias da Silva on clarinet, Adam Newman on viola, and Camilla Kƶhnken on piano. Itās in the context of a residency at Canadaās Banff Center for Arts and Creativity in Alberta that they recorded the excellent work 8 Pieces, Op. 83 by the German composer Max Bruch. Bruch was 72 in 1910 when he composed Acht Stucke Op. 83 for his son, Max Felix, already a professional clarinetist. Written in a late but conservative Romantic style, far removed from the language of Bruchās contemporaries Stravinsky, BartĆ³k, and Schoenberg, this work is deep, intense, passionate and intimate.
