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Telemann: 12 Fantasias / Rienth

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Telemann: 12 Fantasias / Rienth

Telemann: 12 Fantasias / Rienth

Telemann was a musician and composer who lived and worked in Leipzig, Sorau, Eisenach, Frankfurt/Main, and Hamburg. He is considered the most important German composer of the late baroque era, and an extraordinarily productive musician with an oeuvre of over 3,600 works which cover all genres, including opera. He was one of the few artists of his era who was well respected during his lifetime, and he was able to live comfortably from his work as a musician. He was entirely self-taught, playing a variety of instruments, including the recorder, the violin, and the harpsichord. He was also a great proponent of the recorder, which is why he is often described as the greatest recorder composer. His work for the ā€˜flauto dolce’ includes solo concerts, suites, sonatas, trio sonatas, as well as extended recorder parts in oratorios, passions, and cantatas. Of special significance are the ā€œ12 Fantasias for Solo Flute,ā€ published in Hamburg in 1733, which, along with the ā€œ36 Fantasias for Harpsichord,ā€ the ā€œ12 Fantasias for Solo Violin,ā€ and the ā€œ12 Fantasias for Viola da Gamba,ā€ complement Telemann’s oeuvre for solo instruments without bass accompaniment. The ā€œ12 Fantasiasā€ recorded on this album are based on a transposition for treble recorder which is stored in the library of the Conservatoire Royal de Musique in Brussels.

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Telemann was a musician and composer who lived and worked in Leipzig, Sorau, Eisenach, Frankfurt/Main, and Hamburg. He is considered the most important German composer of the late baroque era, and an extraordinarily productive musician with an oeuvre of over 3,600 works which cover all genres, including opera. He was one of the few artists of his era who was well respected during his lifetime, and he was able to live comfortably from his work as a musician. He was entirely self-taught, playing a variety of instruments, including the recorder, the violin, and the harpsichord. He was also a great proponent of the recorder, which is why he is often described as the greatest recorder composer. His work for the ā€˜flauto dolce’ includes solo concerts, suites, sonatas, trio sonatas, as well as extended recorder parts in oratorios, passions, and cantatas. Of special significance are the ā€œ12 Fantasias for Solo Flute,ā€ published in Hamburg in 1733, which, along with the ā€œ36 Fantasias for Harpsichord,ā€ the ā€œ12 Fantasias for Solo Violin,ā€ and the ā€œ12 Fantasias for Viola da Gamba,ā€ complement Telemann’s oeuvre for solo instruments without bass accompaniment. The ā€œ12 Fantasiasā€ recorded on this album are based on a transposition for treble recorder which is stored in the library of the Conservatoire Royal de Musique in Brussels.

Telemann: 12 Fantasias / Rienth | ArkivMusic